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Each Finding Aid can be keyword searched using the Ctrl F function on your keyboard.
Manuscript Name | Papers of Barry Westburg |
Manuscript Number | MSS 057 |
Last Updated | June 2021 |
Extent | 16 boxes + 2 oversize + 1 AV box |
Location | Special Collections, UNSW Canberra |
Abstract | Correspondence, Friendly Street Poets productions and publications, drafts of literary works, manuscripts, galley proofs and audiovisual material relating to Barry Westburg |
Literary
The papers of Barry Westburg comprise material pertaining to his work as a poet, author and editor. The first 12 boxes contain drafts of Westburg’s poems and literary works, primarily short stories. The following 5 boxes contain material relating to Westburg and Kroll’s co-editing of Tuesday Night Live: Fifteen Years of Friendly Street, including correspondence, entries for inclusion, biographical information for poets, contact details, invoices, notes and interviews
1985-2001
Poet and author Barry Westburg was born in Iowa, USA in 1938 and moved to California at a young age. After completing his PhD at Cornell University, he moved to Australia in 1975 to teach in the English Department at Adelaide University. Westburg has been the Chair of the SA Writers’ Centre, a fiction editor with the South Review, and was a founding member of Friendly Street Poets with 17 years involvement. As well as publishing many works including novels, short stories, poetry and essays, Westburg co-edited No. 13 Friendly St. Poetry Reader (1989) and Tuesday Night Live: Fifteen Years of Friendly Street (1993)
References:
Austlit : Barry Westburg https://www.austlit.edu.au/austlit/page/A6701 retrieved 22 June 2020
Friendly Street Poets : Barry Westburg http://friendlystreetpoets.org.au/poetry/sample-of-poets/westburg/ retrieved 22 June 2020
Access: Open Access
This collection contains a variety of copyright material. Copyright is held by the creator of each item. Specific conditions for this collection are listed below. If no conditions are stipulated then the standard terms of the Copyright Act apply for published and unpublished items. Digitised material from manuscript collections is provided to clients by UNSW Canberra in good faith for private study and research only, and may not be published or re-purposed without the express and written permission of the individual legal holder of that copyright. Refer also to the UNSW copyright, disclaimer and takedown policy.
Copying: Copying of material for private study and research is approved
Papers of Barry Westburg, Special Collections, UNSW Canberra, Australian Defence Force Academy, Canberra, MSS 057, Box [Number], Folder [Number].
Check with Curator
A videorecording of Barry Westburg reading from his works at ADFA was taken on 4 June 1992 and is held in the Academy Library at PR 9619.3.W41 B37
Bary Westburg, 1938- — Archives
Australian poetry — 20th century
Friendly Street Poets — Archives
Barry Westburg, 1938-
Friendly Street Poets
Poets
Authors
Folders 1-8
Short stories, prose
Folder 9
Typewritten poetry
Folder 10
‘Redeemability - the Magic Flute of Childhood, of Death’
Folder 11
‘Goodbar Story’: ‘Lost Exit to Laguna Beach’; ‘Hot Serve’; ‘Bernard ... the Early Days’; ‘The Darkness (in the Black Chasm) is Really Darkness’; ‘I Will Show You a Cave’; ‘The Undertaker’
Folder 12
‘Castle Story’ : ‘Blind Panda Sees Again’; ‘Kraft-Ebing Notes’; ‘Bernard to the Dark Tower Came’
Folder 13
‘In the Razorbacks’, ‘Among My Lavender Ladies’, ‘Salad Rising Green to the memory’, ‘Turn Left at the Next Taco Stand’, ‘The Lifeguard’s Vigilance’, ‘Silver Earrings in Colorado’, ‘Maybe He Should See to the Italian’, ‘Lunching with Skimpole’, ‘A Tartarus of Bachelors and Maids’, ‘Hot Serve’, ‘Southern Comfort,’ ‘Little Mysteries of Our City of Tear Gas’, ‘The Building Inspector’s Visit’, ‘The Bank Manager’s Daughter’, ‘The Lifeguard’s Vigilance’, ‘The Pilot’
Folder 14
‘Blind Panda Eats Again’, ‘Nightmare : in the Razorbacks’, ‘Limerock’, ‘Dreamfeedings’, ‘Moon-Mountains’, ‘Kraft-Ebing Notes : Oscar Thorwaldssen’s Sixty-Sixth’
Folder 15
Correspondence - dated 30 June 1986
‘In the Maize’ - pages 12 - 74
Folder 16
‘Little Mysteries of Our City of Tear Gas’ - pages 78 - 187
Folder 17
‘Bushwalking’, ‘Dreamfeeding’, ‘Southern Comfort’, ‘His Magic Flute, His Toy Red Wagon’, ‘The Bank Manager’s Daughter’, ‘Little Boy List in the Limestone City of My Heart’, ‘Turn Left at the Next Taco Stand’
Folder 18
‘Dreamfeedings’, ‘Oscar Thorwalrssen’s Sixty Sixth’, ‘The Bank Manager’s Daughter’, ‘The Dummy Hand’, ‘The Rocketman’s Moon’, Mormon Moonlighting’, Jones Buckshot Rafe Comes Close to Murdering My Father-in-Law
Folder 19
‘The Panda Factory Under the Brooklyn Bridge’, ‘The Novelisation of the Poem’, ‘Why Don’t Shadows Have Eyes?’, ‘The Pilots Hospitality’, ‘The Lovely View’ by Prue Hemming, ‘Devotion’, The Reunion’, ‘Return to Eden’, ‘Domestic Deep Freeze’
Folder 20
‘Camel Ride’, ‘Quince’, ‘Meltdown’, ‘Mormonville, S.A. - Easter, 1986’, ‘The Dark, the Gold’, ‘Donors’, ‘Forms of Uncertainty’, ‘Bulletins for the Home Front’, ‘King of the Castle’, ‘Memorabilia’, ‘Part 4 : Heading Back Home’, ‘The Locked Wardrobe’, ‘Just Let Me Tell You’
Folder 21
‘Magic Flute and Toy Red Wagon’, ‘A Night in Arles’, ‘Opera : Scene 1’, ‘The Six Month Special’, ‘The Fur Coat’
Folder 22
Typed version of short stories for book. Table of contents heavily annotated
Folders 23-24
Short stories for book
Folder 25
‘In the Maize’, ‘Razorback’ (two copies), ‘The Campsite in the Razorbacks’, ‘Peter Peters’ Tall Wife’, ‘Berno Berne’s Wife’ , ‘A Tall Story’ (two copies), ‘The Salesman Calls’, ‘Wingwalking’ (two copies), ‘The Pilot’, ‘Bernard : the Early Days’, ‘Kraft-Ebing Notes’
Folder 26
‘The Darkness ....’, ‘Conversations with Darko : 1’ (two copies), ‘Kraft-Ebing Notes’, ‘Blind Panda Sees Again’, ‘Hot Serve’, ‘Business Ain’t Been Too Good Lately’, ‘Last Exit to Laguna Beach’, ‘The Undertaker’, ‘Bernard to the Dark Tower Came’, ‘Wingwalking’, ‘The Salesman Calls’, ‘Bernard, the Early Days’, ‘I Play the Dummy Hand ...’, ‘Razorback’
Folder 27
‘Sassafras’, ‘Silver Earrings in Colorado’, ‘Regatta’ (four copies), ‘Royal the Poet and Willie the Baby’ (two copies), ‘Down and Out at Surfers’ Paradise’
Folder 28
‘Anthony and His Mother’ by Andrew Taylor, ‘F-11’ (two copies), ‘Royal the Poet ....’ (two copies, ‘The Boy Detective and the Dr Pepper Caper’ (two copies), ‘Buzzard Swoop’
Folder 29
‘Uncle Moonlight’
Folder 30
‘Uncle Moonlight’
Folders 31-32
‘Wingwalking’ - original manuscript
Folder 33
Typed drafts of short stories - includes ‘Liberace’, ‘Moonlight Express’, ‘Doreen-by-the-Sea’
Folder 34
Anthologies - correspondence
Folder 35
Drafts of stories arranged for book form
Folder 36
Drafts of stories arranged for book form
Folder 37
‘Bernard to the Dark Tower Came’ (two copies), ‘The Undertaker’, ‘Bernard : the Early Days’, ‘Blind Panda See Again’ (two copies), ‘Last Exit to Laguna Beach’ (two copies), ‘Business Ain’t ......’
Folder 38
Typed drafts of short stories - includes ‘The Day That Kennedy Died’ (three copies)
Folder 39
Typed drafts of short stories - includes ‘The Moonlight Express’, Chapter 1 (two copies) and ‘Two Islands’ (two copies)
Folder 40
Typed drafts : ‘Hot Chocolate in Vermont’; ‘Thousands Flee Gas Leak’ (two copies); ‘A Blast from the Past’; ‘The Moonlight Express’ (two copies); ‘The Undertaker’; ‘The Paris Review Interview’ (two copies); ‘F-11’
Folders 41-42
Computer print-out - manuscript leaves
Folder 43
Galley print-out
Folder 44
‘Wingwalking and Other Tales’
Folder 45
F.S. Poetry Anthology, No. 13
Folder 46
Poetry
Anthology - ‘Wingwalking’
Folders 47-48
‘Moonlight Express II’
Folder 49
Typed drafts - includes : ‘The Dr Pepper Caper’ (incomplete); ‘The Moonlight Express’; ‘I Poetry, Birdseed ... and Maybe Someday Pasta’’ ‘The Lifeguard’s Vigilance’; ‘Our city of Tear Gas’; ‘Blind Panda Eats Again’; ‘Dreamfeedings’
Folder 50
‘Wild Ducks’ - includes ‘Popeye’
‘Tear Gas’ - chapter 1, and other stories
Folders 51-52
Typed drafts of stories
Folders 53-54
Computer print-out - manuscript leaves
Folder 55
‘Hot Seal’
Folder 56
Draft changes
Folders 57-59
‘Progress of Moonlight’ - manuscript
Folder 60
‘Uncle Moonlight’ - manuscript
Folder 61
Draft of short story ‘Mutant Ninja Time - Sharing Yuppies Down and Out at Surfers’ Paradise’ - 12 typewritten pages
‘The University and its Drozkoon’ - 12 pages, typescript
‘Housebreaking’ - typescript, draft, 15 pages (two drafts)
Writers’ Week, Adelaide Festival, 1992 - details - 5 pages
‘Biological Radio’ by Mike Ladd - radio play : handwritten comments by Barry Westburg, 17 pages
Folder 62
Notes and plans for novel ‘The Progress of Moonlight’
‘Uncle Moonlight’ - handwritten notes
Critique by unknown author, 4 pages
Miscellaneous notes on ‘Moonlighting’
Untitled story
‘The Progress of Moonlight’
‘Sandblasting the Summer’
‘The Origin of the Starbuck Fortunes’
Folder 63
‘VII Folsom Prison Blues’.
‘The Cadillac Convertible’
‘Uncle Moonlight on Ice’
Folder 64
Contributions from Writing Group - includes John Griffith, Mike Ladd, Chris Mooney, Peter McFarlane
Poetry - various authors
‘Allie’ - short story (no author recorded)
‘Conversations with the World’ - radio play by Peter McFarlane
‘The Ring Finger’ - radio play by John Griffin
‘The Short Story Show’ - radio play by Christopher Mooney
Folder 65
Contributions from Writing Group - includes Jeri Kroll, Andrew Taylor, Beate Josephi, Brian Matthews, Prudence Hemming, Peter Goldsworthy
‘Dear Friends, Wherever You Are ....’, short story (no author recorded), nine pages
‘My Name’ by Beate Josephi, four pages
‘The Kiss’, poetry (no author recorded)
‘An Episode of Bodies’ (Brian Matthews?), short story, eight pages
Poetry.
‘Mr Radish’, short story (no author recorded), five pages
Poetry - two poems by Beate Josephi
‘Home Video’ by Jeri Kroll, short story, fifteen pages
‘Casino’, short story (no author recorded), six pages
‘The Sponsor’ by Prudence Hemming, short story, ten pages
Folder 66
Project - working title ‘Territories’ - a collection of short fiction
Project report - two pages - related to grant
‘The Best of Friendly Street’, one page
‘Territorial’ notes, 5 December 1989, seven pages
‘Rider’ - three drafts
‘Housebreaking’, ‘The Breaking’ and ‘And Who Has Been Sleeping in My Bed’ - four versions of same story
Folder 67
Project - working title ‘Territories’ - a collection of short fiction
‘Red Neon Flower’, thirteen pages
‘Frome Follies’, twelve pages
‘Territory’ “Desire” story, twelve pages
‘The Edison of His Own Time’, thirteen pages
‘The Dr Pepper Caper’, thirteen pages
‘Tear Gas’, 43 pages (ten missing)
Folder 68
‘Rider’, two drafts
‘Down and Out at Surfers’ Paradise’ or ’Mutant Ninja Time-sharing Yuppies Down and Out ...’, three drafts
‘Broken Window Ranch’
‘South Campus’
‘Sallee and I go for Broke’ - a version of ‘Housebreaking’
‘Launch of ‘Progress of Moonlight’ - speech read at Adelaide Festival, March 1990
‘A Small Room in Smyrna’ by John Griffin
Folder 69
‘Progress of Moonlight’ - manuscript
Folder 70
‘Progress of Moonlight’ - manuscript
Folder 71
‘Progress of Moonlight’ - drafts of chapters
Folder 72
‘Progress of Moonlight’ - galleys, author’s copy
Folder 73
Poetry - ‘Dr Strangelove’s Planet’ and ‘Marmalade Snap’
Partial description of the ‘Territories, the University’, two drafts
‘Broken Window / Sacred / Territory of Past Desire’
’Territory’ “Desire” story, three drafts
‘Deadman Island’, two drafts
‘Catfish’
Folder 74
Circular to English Department, three pages
‘Frome Follies’, eleven drafts
Folder 75
‘Progress of Moonlight’ - manuscript
Folder 76
‘Progress of Moonlight - manuscript
Folder 77
Correspondence
Letters, cards, faxes, memos, 17 March 1988 – 15 October 2001
Folder 78
Correspondence
Permissions returned at various times in 1992 to Friendly Street Poets to include original poems in anthology, The Best of Friendly Street, in alphabetical order; names include Bruce Dawe, Colin Thiele, Diane Fahey, S.K. Kelen, Ann Jenkin and many others
Folder 79
Correspondence
Contributors’ biographical information sheets returned at various times in 1992 to Friendly Street concerning anthology, The Best of Friendly Street, in alphabetical order; names include Bruce Dawe, Colin Thiele, Diane Fahey, S.K. Kelen, Ann Jenkin and many others; some information sheets have letters, faxes, lists of publications attached to them
Folder 80
Literary Drafts
‘Best of Friendly Street. Introduction + Original + Notes for Intro-’: contains handwritten notes and jottings; annotated and dated / undated drafts of Preface’, ‘Blazing Evenings at the Fireworks Factory’, ‘‘Friendly Street as Entrepreneur’, ‘Love’s Body’, ‘Mapping the Street’, ‘Table of Friendly Street Poets collections’, ‘Out of the Box (Factory) & Onto the Page: The Friendly Street Readers’, and ‘From Original Article…’
Folder 81
Literary Drafts
‘BOFS [Best of Friendly Street]. Poems – original copies from anthologies’: contains the following annotated sections:
‘Category: Love’s Body’, ‘Category: Dancing in the Dark’; ‘Sexual Politics’; ‘Category: The Body Politic’; Category: Mapping the Landscape’; ‘Category: Nature as Emblem’; ‘Category: Almost Animate’; ‘Category: Urban Voices’; ‘Category: Passages’; ‘Category: Generations 1’; ‘Category: Generations 2 / Touching the Past’; Category: The Mortal Fight’; ‘Category: Metapoetics’
Folder 82
Literary Drafts
‘Best of F.S. Final ver. 2-10-92’: contains the following annotated, dated /undated sections:
‘Tuesday Night Live’; ‘Sexual Politics’; Illingham Printers galley proofs, 17 December, 1992, for ‘Tuesday Night Live; ‘Friendly Street: A Brief History’; ‘Introduction: Blazing Nights at the Fireworks Factory’; ‘Friendly Street: A Brief History: Blazing Nights at the Fireworks Factory’; ‘Biographical Notes’; ‘Acknowledgements’; ‘Contributors’ Notes’
Folder 83
Literary Drafts
‘Friendly Street: Preface, Intro Final’: contains the following annotated, dated /undated sections:
Untitled handwritten and typed notes; ‘Towards 2000’; ‘Acknowledgements’; ‘Biographical Notes’; ‘Contributors’ Notes & Acknowledgments’; ‘Acknowledgements’; ‘Acknowledgments’; ‘Contributors’ Notes & Acknowledgments’; ‘Introduction: Blazing Nights at the Fireworks Factory’; ‘Tuesday Night Live’; ‘Tuesday Night Live Cover Ideas’; ‘A History in Progress’; ‘Tuesday Night Live: The Voices of Friendly Street’; Tuesday Night Live: Fifteen Years of Friendly Street’; ‘Friendly Street: A Brief History Blazing Nights the Fireworks Factory’; ‘Friendly Street: A Brief History: Blazing Nights the Fireworks Factory’; ‘Friendly Street: A History in Progress’; ‘The Best of Friendly Street’; ‘Addition to Friendly Street: A Brief History: Blazing Nights the Fireworks Factory’; ‘Categories’; ‘Mapping the Street’
Folder 84
Literary Drafts
‘Best of F.S. Preface’: contains the following annotated, dated /undated sections:
‘Preface’; ‘The Best of Friendly Street’; ‘About This Anthology’; ‘Blazing Nights at the Fireworks Factory’; ‘Blazing Evenings at the Fireworks Factory’; ‘Love’s Body’; ‘Friendly Street: The Entrepreneur’; ‘Friendly Street: An Introduction’; ‘Friendly Street: A Brief History: Blazing Nights the Fireworks Factory’; ‘Mapping the Street’; ‘Out of the Box (Factory) & Onto the Page: The Friendly Street Readers’; untitled paper on South Australia
Folder 85
Literary Drafts
‘BOFS [Best of Friendly Street] Poems. Bany’s Copy for few to Proofread’: contains poems throughout with a few annotations and handwritten notes
Folder 86
Literary Drafts
‘BOFS [Best of Friendly Street] Breakdown of Poems from Readers’: contains handwritten notes and dated to June 1991
‘Best of Friendly Street. Categories: Poems’: contains handwritten notes, jottings, and annotated, dated and undated sections: ‘Generations 1’; ‘Category: Lust and Love’; ‘Category: God, the Universe, and Everything’; ‘Categories’
‘F.S. [Friendly Street] Intros – Copies’: contains annotated photocopies of prefaces/introductions to various Friendly Street Poetry Readers
‘BOFS [Best of Friendly Street] 10/2/92 Final’: contains ‘Friendly Street: A Brief History: Blazing Nights at the Fireworks Factory’; and handwritten notes, jottings
Folder 87
Literary Drafts
‘B.O.F.S. [Best of Friendly Street]: contains annotations to dated and undated sections:
‘The Best of Friendly Street’; ‘Biographical Notes’; ‘Acknowledgments’; ‘Contributors’ Notes & Acknowledgments’; ‘Tuesday Night Live’; ‘Tuesday Night Live Cover Ideas’; ‘Tuesday Night Live: The Voices of Friendly Street’
Folder 88
Literary Drafts
‘Best of Friendly Street: Introductions from Readers’: contains annotated handwritten and photocopied material, mainly Friendly Street Poetry Readers
‘Deleted or finished’: contains 1 page of handwritten notes, jottings, and a collection of poems that have been deleted
‘Best of BOFS’ [Best of Friendly Street] Rejects’: contains annotations to photocopies of poems
‘Final Tuesday Night Live February 1993’: contains Focus ’78 Adelaide Festival of Arts fax; ‘Editor’s Acknowledgments’; ‘Contributors’ Notes & Acknowledgments’; ‘Friendly Street: A Brief History: Blazing Nights at the Fireworks Factory’
‘Best of Friendly Street’: contains 2 letters dated 22 July 1990; committee meeting agendas; festival awards materials
Folder 89
Literary Drafts
‘Friendly Street Tuesday Night Live. Interviews-Notes 1) John Barry 2) Andrew Taylor + Beate Josephi’: contains ‘Interview with Andrew Taylor/Beate Josephi Friendly Street, 11/7/91 Interviewers: Barry Westburg/Jeri Kroll’
[Untitled folder]: contains correspondence for 17 March 1988 - 23 June 1992; and annotations to the following sections:
‘Friendly Street Poets Constitution’; ‘Friendly Street: An Introduction’; ‘Interview with Andrew Taylor/Beate Josephi Friendly Street, 11/7/91 Interviewers: Barry Westburg/Jeri Kroll’; untitled anecdotal paper; ‘John Bray Interview by Beate Josephi on Friendly Street’; ‘Friendly Street Committee’; ‘Draft: The Future of Friendly Street Publishing’; handwritten notes and photocopied 1980s material
‘Friendly Street: 1992. Contributors’: contains correspondence, 23 July-4October, 1992; ‘Contributors’ Notes & Acknowledgments’; ‘Biographical Notes’; ‘Index’; ‘Table of Friendly Street Poets collections’; print-outs of spreadsheet with poets names, contact details; ‘Contributors to Friendly Street Reader Nos, 1-14’; ‘Biographical Notes’; handwritten notes, jottings
Folder 90
Miscellaneous
‘Tuesday Night Live: Contributors eliminated’
Jeri Kroll, ‘South Australia: The Literary Climate, 1978-1983, 13 pages
Spreadsheet print-outs with poets, poem titles, contact details
Invitation to ‘Tuesday Night Live’ launch, Adelaide, at the Box Factory
‘No. 8 Friendly St. Poetry Reader’, Unley, South Australia
Receipts, sales dockets, for items, services purchased
Folio 1
Layouts - short stories and prose
Folio 2
‘Progress of Moonlight’ - galley proofs, author’s copy
Box 1
Eight Floppy Disks [not in box]: Word stories (four); ‘Moonlight’, part 1; ‘Moonlight’, part 2; Progress of ‘Moonlight’, 6 August 1989; Word novel 01
1 b/w photograph, depicting a meeting, undated; Les Murray the poet is identified
Audio-cassette: ‘Friendly Street – Radio 5UV 1/7/91 and John Barry’
Audio-cassette: ‘Interview (Kroll, Westburg) with Josephi and Taylor (On F.S.)’
4 WS2000 disks: ‘Tuesday Night Live (or BOFS – Best of Friendly Street) working title. All Poems in original version. Drafts of Preface, Intro, Index, Cover Ideas’
Floppy disk: ‘Best of FS Acknowledgements’
Floppy disk: ‘Best of Friendly Street Word for Windows Barry Westburg'